I seek to transform snapshots of domesticity, objecthood and still life through screen printing.

 

Within recent works clutching tentatively on moments we cannot grasp, subtle blends of colour and hypnotic halftones transform domestic ephemerality into a state of printed permanence. The fly becomes a symbolic motif within personal narratives; the use of tromp l’oeil considers investigations of observation and impermanence within the everyday. This has expanded vastly through the ongoing Fly on the Wall installation.

 

Risograph zines and artist books archive playful elements of my investigations and wider urban interactions. There a Buzz zine series collates and documents the ongoing buzz from Bristol and beyond.